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simon collis

musings of an omnivorous biped

Cameron’s Big Brother u-turn

Posted by Simon Collis on 2012/02/20
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One of the big promises Cameron’s Tories made during election campaigning was that they would “roll back the surveillance state”. Unfortunately, the u-turn has arrived – the ConDem coalition has resurrected the much-reviled previous government plan to monitor every phone call, tweet, email, Facebook post and make that information available to “law enforcement” at any time, presumably for any purpose (after all, isn’t this what usually happens with these sort of things – scope creep?)

Of course, the big u-turn hasn’t been announced yet, and they’ve already got their scumbag answer to privacy and civil rights campaigners ready: “if you are not in support of the new law, you love terrorists and paedophiles”. After all, the Canadian government are already using the same idea in support of their own draconian laws. Read more

For some reason last night I dreamed Willie Nelson did a cover album of Pink Floyd songs, and that I was there at a concert of him singing them. (Part of this was inspired by talking with a friend about a concert she is going to attend… where Willie Nelson and Pink Floyd came from, I don’t know).

In fact, so realistic was this dream that by about quarter past twelve, I decided to do a quick web search to see what came up. And I found this page. Read more

BAFTAs 2012

Posted by Simon Collis on 2012/02/12
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Just waiting for the BAFTAs for this year to come on, and it makes me think a bit. The last 12 months have seen a really strong line up: The Artist, Tinker Tailor Soldier Spy, The Help, My Week With Marilyn, Submarine, Tyrannosaur, The Iron Lady, Senna

I just can’t think of any other year, since 1939, where we’ve had such an embarrassment of riches…

ACTA must be destroyed

Posted by Simon Collis on 2012/02/11
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As Cory Doctorow over at Boing Boing points out, today is the day to kill ACTA. The UK branch of the Pirate Party is holding demonstrations across the UK against it, and I’m sure many other international Pirate Parties are too.

However bad ACTA is right now, it can only get worse. Article 6.4 creates an “ACTA committee”, a sort of undemocratic, unelected committee to “propose amendments” to ACTA, essentially bypassing any democratic process. And that’s an extremely worrying provision. Read more

Like almost everyone on the Internet, I seem to have been advocating against SOPA, PIPA and ACTA. It may have done some good against SOPA, but my passionate letter to my local MP about the earlier Digital Economy Act (a mini-SOPA) drew a patronising response that preventing “these people’s illegal acts” was far more important than civil liberties, freedom of speech, due process or any of the cornerstones of a legal system fit for purpose in a democracy. Of course, we now have a SOPA-style law that the UK parliament can’t seem to wait to start wielding against the common horde. But I digress (although I will point out that if you live in York Outer, well, you now know which way to vote.)

As David Malki has so eloquently pointed out, copyright was once considered harmful to business (excuse my paraphrasing of Edsger Dijkstra there). Of course, that was only copyright of foreigners, not of local authors – a kind of reverse tariff making local products more expensive than imports. That situation wasn’t allowed to last too long, and so in the end politicians did get their heads together and implement a copyright system.

The problem with the copyright systems worldwide is that they are now run by vested interests. Disney have spent lots of time and money extending the lifespan of copyrights in the US to ensure Mickey Mouse doesn’t go out of copyright – and not just recently, 1998 was the earliest I could find online. It’s not just the US – b-list warbler Sir Cliff Richard lobbied for the same, successfully in terms of sound recordings.

Now I don’t doubt that it’s a good idea that artists continue to earn money from their works while they live (and I actually think the sound recordings one is a case that shouldn’t be a fixed term anyway, but rather a system similar to authorship where copyright persists until a set time after death). But this approach also creates problems.

For example, TCM estimates that only 4.8% of the films ever made are currently available. OK, some of these may be technical issues, such as the degradation of film stock, for example. The similarity to the burning of the Library of Alexandria should be noted here – while perhaps not so dramatic or sudden an event, the loss of cultural artifacts is just as real.

But shutting down websites due to copyright infringement isn’t the answer, otherwise we’d lose The New York Times, among others. Let’s face it, Warner Brothers has admitted gaming the system to send takedown notices for files it hasn’t seen and doesn’t own – and claiming this isn’t a felony even though the DMCA says it is. In fact, even reporting on these things can get you shut down.

If ever anyone doubts SOPA, PIPA, ACTA, the Digital Economy Act and the DMCA will be used to censor legitimate, democratic process, don’t. It’s already happening.

George Orwell would be saying “I told you so”.

It’s all gone Code 10…

Posted by Simon Collis on 2012/02/07
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If you have been following me on Twitter, you’ll probably already know that I bought a new computer a couple of days ago. The previous one was starting to show its age. Well, really, that’s not strictly true. It wasn’t. In actual fact, it’s been – and still is – an excellent PC with top notch build quality. What was true is that it doesn’t play Left 4 Dead very well. Read more